We no longer have a retail location open to the public, but all vinyl can be viewed, and even listened to by appointment at our warehouse, located in Downtown Dunnville Ontario, just a stones throw from the beautiful Grand River. Everything else plays it in stereo.Welcome to Time Capsule Records. ![]() Players equipped to decode it can play back all four channels. Quad mixes can be pressed to vinyl, ripped to MP3, or sent out in a Spotify stream. Not only can it easily recreate (with some good reverb) the feel of the room in which the performance took place, but it's also easier to distribute. If you think about it, quad is pretty close to the perfect format for mixing music in surround. I want to build a plug-in that will make it a hell of a lot easier." "The tools currently are available are analog, or they're things that don't let you do quad in real time," he says. He's applied for a grant with the National Endowment for the Arts to create a quadraphonic plug-in for digital audio production that would work with all the popular software suites. KamranV's efforts to push quadraphonic sound forward have led him to develop a set of tools any musician or producer can use to make a killer four-channel mix. "Using the corners and creating the space-that's much more musical." Quadraphonic sound, which eschews the theater-like center channel and sub, is more friendly to songsmiths. "Having the center channel and the subs interfered with the artists and producers as far as creating a sense of space," KamranV says. Of the hundreds of bands to try a surround mix, most weren't able to make it work properly. The idea was you'd pop one of these discs into your DVD player and listen to a surround-sound mix play out across all of your home theater speakers, including the sound bar and the subwoofer. The increasing use of virtual reality to broadcast live performances has also encouraged artists to start poking around more diligently in 360-degree and surround-sound formats.Ĭiani's partner on this project, producer KamranV, has been working with spatial audio since the turn of the century, when he created several 5.1-channel mixes for mainstream artists (Beck, Nine Inch Nails) in the now-scarce DVD-Audio format. Venues such as The Cube at Virginia Tech and Envelop at the Midway in San Francisco have been built to house a new breed of audio performance that utilizes three-dimensional space as a dramatic element. This new release doesn't presage the mainstream resurgence of the decades-old tech, but it does come at a time when spatial experimentation among electronic musicians is on the rise. In the two years since, Ciani has taken her synth-a modern digital-analog hybrid Buchla 200e that's very much like the '70s version but, as she puts it, "has some of the advantages and disadvantages of digital"-around the world, playing solo concerts to adoring crowds. The San Francisco concert captured on LIVE Quadraphonic was her first public performance on the machine in 40 years. ![]() Then, just months shy of her 70th birthday, Ciani found herself standing in front of her colorful Buchla once again. ![]() (These exploits are detailed in the 2017 documentary A Life in Waves.) Her career then transitioned into studio albums filled with romantic piano music and cosmic, new-age joyrides. Later, Ciani formed her own sound design company to create digital scores for television ads, videogames, and Hollywood films. She also became a virtuoso player on the Buchla 200 system, a bizarre-looking box that uses dozens of knobs and a spaghetti explosion of brightly colored patch cables to create loopy showers of arpeggiated notes. After earning a masters' degree in music composition, she worked for Don Buchla, creator of the eponymous synthesizer, soldering circuits and building the instruments for consumers. Lorne Thomson/Getty ImagesĬiani is a pioneer in the world of electronic music.
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